Britta Jaschinski

Britta Jaschinski grew up in Germany and currently lives in London. Known for her unique style of photojournalism, she has been named one of the most influential photographers of our time. She has won numerous international awards, her works are published by National Geographic Magazine, Stern, Spiegel, WIRED, The Guardian, Greenpeace Magazine, WWF Media and many other magazines and newspapers. Her photos are exhibited in galleries and museums over the world. Her inspiring work aims to help bring an end to the illegal wildlife trade in our lifetime and to explain how all life on earth is interconnected and interdependent. She presents both the beauty and fragility of nature. Britta is the co-creator and co-editor of the highly acclaimed campaign and award winning book initiative: “Photographers Against Wildlife Crime”. She joined forces with other photographers, to use their iconic images to help stopping the illegal wildlife trade. The project brought together some of world’s best visual story tellers and the campaign is making a valuable addition to a constructive dialogue among influencers, law and policy makers worldwide, and even in Asia, about the need to end the demand for wildlife products. She is regular jury member of the German GDT competition, the British Wildlife Photographer of the Year and the World Press Photo competitions, and in 2023 she is also a member of Magical Hungary nature photo competition.

Máté Bence

Bence Máté is one of the most successful and world-renowned wildlife photographers of our country. He earned the title of the “invisible wildlife photographer” thanks to his special, self-designed one-was glass hides. He maintains such an ecosystem in his farm in Pusztaszer where the most diverse animal species settle, and from his secret hides, Bence can gain a direct view to the hidden world of animals. He is holder of several prestigious national and international awards, he won the title of “Wildlife Photographer of the Year 2010” in London that is considered as the Oscar of wildlife photography . He is one of the most successful photographers in the history of the international competition. His images were presented to the Hungarian audience at a huge-volume outdoor touring exhibition in 2019. Bence has travelled the world, but independent to his exotic photography adventures, his heart draws him to his “own wilderness”. When he has the time, he spends most of his time in his hides in Pusztaszer.

ifj. Vitray Tamás

According to him, his three different lives ran together at National Geographic magazine. He started living his first life at the Faculty of Science of Eötvös Loránd University, where he graduated as a research biologist. His second life set off at ELTE, majoring in English translation, where he learnt how much English he still needs to learn, and in his great attempt, he ended up as a book translator-editor. He began to live his third life at the University of Theatre and Film Arts, thus he became a film and TV cameraman. Then came years of film work, with the occasional book translation and editing, and a year in advertising. Since he was asked to be the editor-in-chief of National Geographic Books and almost after six years and two hundred and twenty volumes he transferred to National Geographic magazine, now, for twenty one years, he has nothing else in his life but the National Geographic brand. Though, besides, he has been teaching visual cinematography studies in English at Metropolitan University for seven years. He has been preparing National Geographic magazine for fourteen years and he is editor-in-chief for five years. As he says, he is maniac about image and maniac about text too – thus the three of his lives came together into a unified whole at National Geographic magazine.

Litauszki Tibor

The photographer was born in Kiskőrös in 1982. His grandparents worked in agriculture and introduced him to the world of nature, teaching him to appreciate it. He was twenty-five when he bought his first digital camera, with the aim of recapturing some of his childhood experiences. At first, he mainly photographed birds, collecting new species. In January 2016, he had the opportunity to photograph one of the most beautiful species he had ever seen, the kingfisher. It was after seeing the image that he first felt he had a place in nature photography. He loves images that make the viewer wonder: how was this image taken? Sometimes he spends years perfecting a shot, other times it takes a thousandth of a second to capture an inimitable moment. He believes that, indirectly, nature photographers have a major role to play in the conservation of nature. Images that make you think are half the battle. One of the most beautiful things about photography, he says, is that the images carry a message, in this case a message from nature. And it is up to the photographer to make the viewer understand that message. His photos have been successfully entered in several national and international photo contests for years, and he is happy to see his photos reach so many people on such occasions.

Szilágyi Attila

Attila Szilágyi was born in 1974 in the surroundings of Hortobágy, in Balmazújváros. His whole life has been connected to this wide aired, mystical plain world. He grew up in a house on the edge of the village, where his playground was the plain behind the last houses. As a child, he didn’t suspect that the place where he played football with his friends was one of the most unique corners of Hortobágy, the so-called Nagy-szik. At that time, it was so natural that from the way of the ball, a Kentish plover “rolled away” and groups of avocets, godwits and pewits set off for the din. Later it filled him with sorrow to see the gradual disappearance of this wonderland. As a young man, he was interested in everything, but with time, the focus of his attention mostly turned on birds. The several days spent in the field and the unforgettable natural phenomena led him wishing not only to observe the beauty of nature but also to actively preserve it. As a founder of the Hortobágy Environment Protection Association and the ranger of Hortobágy National Park Directorate, he takes pains to return the gift he has received from this region.

Suhayda László

He was born in Gödöllő in 1959. As a kid, he spent a lot of time at the reedy area of Rákos creek and in the surrounding forests and fields of Gödöllő. He was mainly interested in birds, so he joined the local team of the Hungarian Ornithological and Conservation Association in Gödöllő. He bought his first camera rather late, as an adult in 1990. He does not have a favourite photo topic, he finds inspiration in all fields of wildlife. The purpose of his activity as a nature photographer is to share his experience with those who are open to the beauty of nature but do not have the opportunity or time to live it through personally. His attempt is to serve nature and the environment protection through education. He regularly participated in competitions and achieved significant results both in Hungary and abroad. Since 2008, he takes part in nature photo courses as a tutor. He believes, that besides of technical and aesthetic knowledge, it is essential for beginner photographers to learn and respect the ethical rules of nature photography.

Tóth Zsolt Marcell

He was only attending primary school when hiking and exploring nature became part of his life. Once, as a high school student, he saw a cameraman during working and he was impressed by the thought that the man can see the world from a special point of view – this was when he decided to work in filmmaking and television production. Over the decades, he has been able to view and capture the world from many places and many perspectives. As a wildlife filmmaker, he is aware that a good shot requires either great luck or great luck and a lot of lifting, waiting, patience, and tremendous tolerance to endure failure. He has been working on a lot of television and film productions over the past nearly two and a half decades. With a backpack and a tent, he has been able to explore countless lands, but the diversity of the Carpathian Basin still amazes him to this day. He believes that filmmaking is a responsibility, as it gives him the opportunity to document the environment and shape people's perceptions, but it also offers the possibility to play and experiment. For all these reasons, it’s worth to turn on the camera every single day and show the world a framed slice of life.